Years ago I watched the movie “Idiocracy” directed by Mike Judge. The premise of the film is that people become so very dumb that an average man who wakes up in the future is suddenly the smartest person on Earth. We have gotten to that point, folks. If you are average, or above, intelligence you can clearly see things have gone completely sideways. We no longer seem to elect people that have one shred of integrity or appreciation of their fellow humans. America now markets itself as the laughing stock of the entire planet.
It’s really time to stop spending money on anything other than education in America. Read a book or pick up a hobby that engages your brain. Until then keep your insane conspiracy theories, pre-1960s outlook on race, your religion and blatant narcissism locked in a padded room.
Grace and confidence. Two things everyone should either possess or strive for. This is why I enjoy photographing dancers. Capturing a person in their own little world is magic. Here are a few of my favorite shots from an afternoon with Julia. Thanks to Ciara for assisting on the shoot!
For this shoot I mixed it up with natural light and strobes. My go to strobe is the Paul C. Buff Einstein E640. The quality of light and flash duration blows me away for action shoots. Perfection every time and I am also a big fan of their modifier durability and portability.
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If you are looking for a “normal” engagement session, I officially don’t do them anymore. This engagement session is next level. The Latin Circus discovery happened on accident and my only regret is it seemed to be vacant that day or else we would have definitely tamed a lion. I’ve known these two characters for a while now and enjoy seeing two wacky people that genuinely care for one another. It’s a pleasure to shoot the reality of it all. When I asked Vin to lay down on a questionable furry rug and have Jenna rule over him like a Queen…they both did it. Top notch effort all around.
I haven’t really talked about my gear much lately. These days I shoot on the Sony A7RII which is definitely the most versatile camera body I’ve ever used. For both my photo and cinema work, there really hasn’t been anything engineered like this camera. The quality of the final images is slamming, the files are easy to work with and the dynamic range through the roof. Not to mention it has in-camera image stabilization. In the new year I will be transitioning over to Sony lenses. Far less weight, much sharper and less expense than the EOS mount lenses I currently use with a Metabones adapter. The Sony Carl Zeiss and G Master lenses are designed to take full advantage of all the bells and whistles the camera offers me.
Now let’s cut to the chase and behold the greatness of Vin and Jenna’s engagement session highlights!
To see my work, visit thatwerksphotography.com and remember 2017 WILL BE UNSTOPPABLY AWESOME.
From Asbury Park to Vermont to Colorado to my studio in Paterson, New Jersey. Behold the year 2016 through some of my favorite photographs taken for a wide variety of clients…and some of my personal “off the clock” work as well. Although clock watching isn’t something I’ve done in many, many years. Thanks to all, large and small, for taking the time to work with me on a one-on-one basis to craft something special. These are the images that are cool now, but absolutely priceless down the road. I also thank the likes of Matt Koza and Jeff Heckman for bouncing ideas around and being exactly the type of people that fuel the fire of making something out of nothing.
Here’s to many more great shoots with people that share a mutual trust in making images that aren’t just disposable social media fodder. They’re striking, timeless and fun and I intend on keeping it that way in 2017 and beyond.
To view my portfolio, visit thatwerksphotography.com
The latest and greatest shoot with Tanner took place at The Art Factory and we ran through quite a few different rooms and ended things with a flour mess all over the place. I used a combination of daylight and Einstein strobes for many of the shots. The shots with the flour turned out better than I had ever expected and I think you will agree.
My lens on the Sony A7RII was the Sigma 50mm f/1.4 Art. I am pretty psyched to be moving more toward using Sony E mount lenses as 2017 kicks in. They’re certainly comparable to
If you are interested in shooting with me at The Art Factory, get in touch using the contact form. To view my portfolio, visit thatwerksphotography.com