Each time I do a wedding or engagement for people I like to think of something different. Something that will stand out and make people remember a particular shot. This time around we shot Kelly and Mike using a big ass tube that someone discarded. One man’s trash is another’s treasure. We did whatever the hell we wanted during this shoot and I’m always grateful for clients, family or not, that are up for some horseplay and antics.
Take a look at the shots below and then contact me through my new totally tubular photography site and schedule your very own shoot.
Documenting A Floral Masterpiece
It’s not every day that I get to visit New York City on the day the Pope Francis and United Nations are both in town. Lew Monty and I packed up and headed in by train. We gave ourselves PLENTY of time to get into Manhattan in order to get around any potential traffic tie-ups. Worst case scenario I wore running shoes if we had to walk 50 blocks.
Alas the subway trains were running smooth as butter and we arrived early. Our job was to document the setup and final look of the venue. It was a pleasure working in an environment with so many things going on at once. That’s the magic of the creative process. The chaos before the ultimate reward of looking at the finished product.
To see more of my photography work, please visit http://www.thatwerksphotography.com
Designer: L’Oasis Floral Design http://www.loasisfloraldesign.com
Assistant: Lew Monty
Venue: The American Museum of Natural History http://www.amnh.org
There’s nothing worse than wanting to clog your arteries and then realizing the meal isn’t big enough to get the job done.
In July 2012 I assisted Rita Rojas-Sullivan in shooting a wedding in Princeton, New Jersey. I started out at the hotel photographing the groomsmen. Fun bunch. Lots of joking and that made things easy. They were good sports about going out in the heat too!
The ceremony itself was at the Princeton Chapel. Gorgeous church. I made sure to get plenty of wide shots to showcase how enormous the building is. Since I was the second photographer, it gave me a chance to experiment with lenses I normally don’t use for more than a few shots. Namely my Rokinon 8mm.
The reception was held at the Prospect House. Fantastic live music all night long and a lovely wedding was enjoyed by all.
For additional photos of this wedding, please visit Rita’s blog.
"Born in the U.S.A." redux by Christopher John Sztybel
GIZMODO ran a pretty cool “Shooting Challenge” called “Steal”. Recreate a well-known photograph. I love this sorta stuff! When the “Steal” contest was announced, I thought of a few pop culture photographs that have both a commercial value as well as artistic merit.
(EDITOR’S NOTE: Since this entry, results are in for the Shooting Challenge. Very happy with the results. Such cool submissions!)
The original composition I stole from was the “Born in the U.S.A.” album cover (photographed by Annie Leibovitz) http://en.wikipedia.org/wiki/Born_in_the_U.S.A.
"Born in the U.S.A." original by Annie Leibovitz
The artwork for “Born in the U.S.A.” has always stuck out in my mind. I am a huge fan of Annie Leibovitz. Especially her more simple compositions. The message behind the album title (and title track) should be noted as a remembrance of the men and women who have served the United States in both popular and unpopular wars. My dad served in the Vietnam War and I thought this would be a great iconic photograph to emulate.
- One white t-shirt
- One pair of blue jeans
- One red baseball cap (Thanks for letting me borrow the hat, Vin!)
- One large American flag
- One male model
The American flag was clamped to a fence (You can get an idea of the setup by taking a look at the photo to the right.) Since my remote for the camera was dead, I had to get creative with focusing the lens. The trash can in the backyard was placed approximately 2 feet in front of the fence. Then I focused on the trash can. Then I removed the trash can from the scene and replaced it with Ralph’s chew toy. A little rubber doughnut to be specific. The doughnut was my standing marker. After pressing the shutter, a 10 second timer would give me just enough time to get into position.
The project would have been a lot easier with another person helping me. Oh well!
I did my best to replicate the lighting from Annie’s original photograph. I couldn’t find much detail on her original shoot, so I did my best to emulate her setup.
- Canon 7D onboard flash
- Canon 430EX
- Canon 580EX II
- Model: Canon EOS 7D
- Exposure: 1/250 @ f5.0
- Focal Length: 50mm
- ISO Speed Rating: ISO 200
- Lens: EF 50mm f/1.8 II
I made it a goal to strictly limit the post-processing techniques to those of a photographer back in the mid-1980s. Photoshop did not exist. Although I shot digitally, I used an extensive amount of dodge/burn techniques to emulate the methods of that era.
As always, please check out the rest of my photography