The night I photographed Andrea, Emily and Tara was a big ole experiment. There is no creative growth in my book without throwing everything out the window for something new. I shot everything using a lens I would normally never use being so close to the subject. I used off camera flash in a way I never did before. My favorite images taken that evening were shot against a dark background. If I had to describe the look it would be a fluid series of motions captured in one single exposure. This gives the performer something they probably don’t have in their portfolio of images. Something different that stands out and gets a “WOW!”
Style is always evolving. Never be completely content in the work you are creating because there’s always another way to push or pull the methods. Using this method of photographing dancers should encourage anyone that performs dance, or knows someone that dances, to look into booking a shoot with me. We will create amazing images together using this technique.
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Grace and confidence. Two things everyone should either possess or strive for. This is why I enjoy photographing dancers. Capturing a person in their own little world is magic. Here are a few of my favorite shots from an afternoon with Julia. Thanks to Ciara for assisting on the shoot!
For this shoot I mixed it up with natural light and strobes. My go to strobe is the Paul C. Buff Einstein E640. The quality of light and flash duration blows me away for action shoots. Perfection every time and I am also a big fan of their modifier durability and portability.
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The latest and greatest shoot with Tanner took place at The Art Factory and we ran through quite a few different rooms and ended things with a flour mess all over the place. I used a combination of daylight and Einstein strobes for many of the shots. The shots with the flour turned out better than I had ever expected and I think you will agree.
My lens on the Sony A7RII was the Sigma 50mm f/1.4 Art. I am pretty psyched to be moving more toward using Sony E mount lenses as 2017 kicks in. They’re certainly comparable to
If you are interested in shooting with me at The Art Factory, get in touch using the contact form. To view my portfolio, visit thatwerksphotography.com
The goal for this shoot was to create surreal shots of my model controlling the waterways of the Watchung Reservation. The setup required a step stool and huge light source and Lew assisting with all of it. We hiked down a ravine and that gave us all a determination to make sure we created magic once we got to our location.
Model: Kelly Larsen
The setup for one of our shots. A careful balancing act with Lew steadying the step stool for Kelly. I removed everything in post using a background plate.
All of the water effects were created practically. No CGI nonsense. Good old-fashioned fun using cans of seltzer and a cookie sheet/water bottle.
Self portrait taken this evening. Our new wall color in the living room worked wonders as a background.